The novel “Come closer” by Sara Gran introduces a unique perspective on the theme of possession. Mariana Enriquez, a brilliant author herself, acknowledges in the prologue that while there are many novels about possessions, few explore the viewpoint of the possessed individual, especially when the possessing entity is female.
Female Possessing Agent and Lilith’s Influence
As a fan of this subject, I agree with Enriquez’s observation. It’s common to encounter male demons in literature, but female ones are relatively rare. The name Lilith comes to mind, known as Adam’s first wife, who was later rejected by him. Interestingly, Lilith is mentioned in the novel and draws a connection to the author’s own work, “The Pale Lady,” where she serves as a possible influence or even an alter ego of the notorious Erzsebet Bathory. We encounter a similar presence tormenting Amanda, the protagonist of “Acércate.”
Amanda’s Disturbing Transformation
Amanda, a happily married architect with a promising future, experiences subtle changes that experts in this genre would immediately recognize. Outbursts, unexplained phenomena, and conflicts disrupting her idyllic life as a couple all signal a transformation. Her dreams are haunted by a scarlet girl named Naamah, who claims to be her childhood imaginary friend and desires to be close to her. The question arises: Are these events connected? The hits, fights, dreams, and the reappearance of her old friend?
Increasing Erratic Behaviors and the Word “Possession”
Amanda’s erratic behaviors escalate – stealing unnecessary things, secretly smoking again, indulging in drinks alone, and having new, perhaps venial, cravings. However, a desire to harm someone close to her emerges, surpassing mere veniality. Memory gaps and flashes of clairvoyance further contribute to the extraordinary nature of the narrative. Suspicion takes hold in Amanda’s mind, and the word “possession” enters her thoughts for the first time.
Amanda’s Paradoxical View of Possession
Interestingly, possession initially represents liberation for Amanda. It’s crucial to understand the context of the novel, set in 2003, when being a woman was more complicated than it is today. Amanda longs to reclaim her former self – the smoker, the rebellious, the single, the foul-mouthed, the messy. With Naamah’s constant presence, Amanda feels a return to her former identity. The voice belonging to the red woman from the crimson beach tells her she is not the same as before but better because they are together, forever.
Amanda’s Existential Discovery and Dilemma
As the story unfolds, Amanda experiences moments where she feels detached from herself, as if spun off into a separate existence. The world turns red, and the roaring voice of the ocean overwhelms her. Now, the decision lies with Amanda. Does she truly desire this life? Does she love Naamah because Naamah loves her? Should she reject her? Is there a way to go back? The strength of the demon, molded by God but disowned by man, proves formidable – especially if Amanda had secretly desired her all along. Saying no becomes increasingly difficult when her lifelong yearning has been to say yes and never feel alone again.
Originality in Amanda’s Perspective and Multidimensional Characterization
The novel’s originality lies not only in its departure from typical cliches but also in Amanda’s role as the narrator. It is Amanda herself, not a third party, who describes her thoughts and feelings, allowing readers to immerse themselves in the narrative and empathize with her. This is no simple character; Amanda is a person with virtues, flaws, desires, vices, and secrets – much like any of us. This adds to the novel’s achievements.
Style and Addictiveness of the Novel
Gran’s writing style is direct and devoid of unnecessary artifice, making the narrative highly addictive. However, personally, it didn’t quite captivate me to the fullest extent. It lacks the highly original approach found in works like Paul Tremblay’s “A Head Full of Ghosts,” the philosophical depth of “Legion,” or the pioneering psychological impact of William Peter Blatty’s “The Exorcist.” It also falls short of creating the same crescendo of atmosphere and anguish as found in Ira Levin’s “The Devil’s Baby.” Nonetheless, “Acercate” remains a compelling novel that is hard to put down, offering a breath of fresh, feminine air to a genre that always seems to return without ever running out.
